RESTOCK presents first class artists from around the world inside the complex of Armazém do Mercado only 50 steps from the Fish/Flower Market in the Zona Velha (Old Town) of Funchal, Madeira. There are local artists and crafters exhibiting alongside artists who live in America, Australia, Europe and especially Southern Africa, where we had a gallery in Durban, South Africa for 15 years.
Mostrar mensagens com a etiqueta Paper. Mostrar todas as mensagens
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quinta-feira, 30 de janeiro de 2025
"Textures of Madeira" by Lize-Mari de Abreu
We have 4 blue ink drawings by Lize-Mari de Abreu, 2024, Blue ink on Claire
Fontaine Aquarelle 300gsm, 1/1, 32 x 42 cm framed w/ glass, 170€ each
sexta-feira, 18 de outubro de 2019
sexta-feira, 13 de setembro de 2019
"Girls with Guns Series" by Karen Bradtke 15 September - 2 March 2020
Girls with
Guns Series
by
Karen Bradtke
These
works and others like them were created for a group exhibition titled Pulp Fiction
in Durban, South Africa in 2015. Some of the works were sold so they have been
replaced.
While
reading up on what ‘pulp fiction’ I found this image from The Tin Ear and it
inspired me to look for images of tough women characters from films who were
holding guns. They are images taken from the Internet of actresses like Joan
Crawford, Natalie Wood, Peggy Stewart, and Jane Mansfield. The text was found
by Googling quotes from film said by women. I then matched the quotes to the
images using Photoshop.
KB:
September 2019
segunda-feira, 20 de maio de 2019
"House is NOT Home" by Andorinha 5 April - 11 June 2019
Falar em profundidade sobre a distância poderia
consistir numa tarefa muito complexa e morosa, mas é sabido que vários artistas
trabalharam e continuam a trabalhar acerca deste tema. Talvez a construção de
imagens consista num meio tão eficaz como a linguagem para explorar esta ideia.
Refletir sobre a noção de distância, por palavras ou através de imagens, pode servir para compreender o que significa a proximidade e isso implica necessariamente colocar em perspetiva a distância física e a distância emocional.
Refletir sobre a noção de distância, por palavras ou através de imagens, pode servir para compreender o que significa a proximidade e isso implica necessariamente colocar em perspetiva a distância física e a distância emocional.
A minha proposta para a residência artística
que realizei em Salzamt, na cidade austríaca de Linz, nasceu de uma necessidade
de deixar o meu lugar para poder criar mais e melhor. Esta é uma necessidade
que sinto em vários momentos, que sinto esporadicamente, como se de um ímpeto
se tratasse.
"É preciso sair da ilha para ver a ilha, não nos vemos se não saímos de nós" (José Saramago).
"É preciso sair da ilha para ver a ilha, não nos vemos se não saímos de nós" (José Saramago).
Na verdade, não poderia ter concretizado a
viagem à Áustria num momento melhor. Passei o mês de Dezembro em Linz, um
período em que todos se reúnem e em que todos se reencontram, uma época em que
quase todos regressam a suas casas
para passar as férias de Natal e estar em contacto estreito com a família.
Foi nesse contexto, distante de casa, que comecei a questionar a noção de "lar", partindo até do simples facto de ter sido capaz de me sentir “em casa” na casa onde vivi durante aquele mês de inverno.
O que é realmente a nossa casa e o que é que isso significa?
Foi nesse contexto, distante de casa, que comecei a questionar a noção de "lar", partindo até do simples facto de ter sido capaz de me sentir “em casa” na casa onde vivi durante aquele mês de inverno.
O que é realmente a nossa casa e o que é que isso significa?
De onde vem e em que é que consiste a sensação
de “casa” que somos capazes de construir, mesmo em lugares distantes dos nossos
lugares?
My proposal for the artistic residency that I held in Salzamt, in the Austrian city of Linz, was born of a need to leave my place in order to create more and better. This is a need I feel at various moments, which I feel sporadically, as if from an impetus.
"It is necessary to leave the island to see the island, we do not see each other if we do not leave" (José Saramago).
In fact, I could not have made the trip to Austria at a better time. I spent the month of December in Linz, a time when everyone meets and meets everyone, a time when almost everyone returns to their homes to spend Christmas holidays and be in close contact with the family. It was in this context, far from home, that I began to question the notion of ‘home’ starting even from the simple fact that I was able to feel ‘at home’ in the house where I lived during that winter month.
What is really our home and what does it mean?
Where does the sense of ‘home’ that we are able to construct come from, even in places far from our place?
Speaking in depth about distance could be a very complex
and time-consuming task, but it is well known that a number of artists have
worked and continue to work on this subject. Perhaps the construction of images
consists of a medium as effective as language to explore this idea. Reflecting
on the notion of distance, in words or through images, can serve to understand
what proximity means, and this necessarily entails looking at physical distance
and emotional distance.
My proposal for the artistic residency that I held in Salzamt, in the Austrian city of Linz, was born of a need to leave my place in order to create more and better. This is a need I feel at various moments, which I feel sporadically, as if from an impetus.
"It is necessary to leave the island to see the island, we do not see each other if we do not leave" (José Saramago).
In fact, I could not have made the trip to Austria at a better time. I spent the month of December in Linz, a time when everyone meets and meets everyone, a time when almost everyone returns to their homes to spend Christmas holidays and be in close contact with the family. It was in this context, far from home, that I began to question the notion of ‘home’ starting even from the simple fact that I was able to feel ‘at home’ in the house where I lived during that winter month.
What is really our home and what does it mean?
Where does the sense of ‘home’ that we are able to construct come from, even in places far from our place?
segunda-feira, 26 de março de 2018
Origami Workshop with Hana Saturday, 31 March 2 - 3:30p.m.
Come
and learn to make Origami (Japanese paper folding art)
It
is a relaxing and meditative process in which we fold paper and see
the magic of a simple leaf of paper transforming itself into a flower,
an animal, a star, a box.....
In this lesson we will make dinosaurs.
the magic of a simple leaf of paper transforming itself into a flower,
an animal, a star, a box.....
In this lesson we will make dinosaurs.
Organizado por: RESTOCK galeria
Lugar: Armazém do Mercado Rua do Hospital
Velho n.o 28
Dirigida por: Hana Chaki
Preço: 10 euros material incluido/
Cost: Euros 10 and materials are provided
Idade: A partir de 10 anos para Adultos/
Age restriction:10 years and older
Inscrição/
For reservations contact:
restockfunchal@gmail.com
segunda-feira, 12 de março de 2018
Origami Workshop with Hana Saturday, 17 March 2-3:30p.m.
Come and learn to make Origami (Japanese paper folding art)
It is a relaxing and meditative process in which we fold paper and see
the magic of a simple leaf of paper transforming itself into a flower,
an animal, a star, a box.....
In this lesson we will make a clover for your Easter goodies.
It is a relaxing and meditative process in which we fold paper and see
the magic of a simple leaf of paper transforming itself into a flower,
an animal, a star, a box.....
In this lesson we will make a clover for your Easter goodies.
segunda-feira, 5 de março de 2018
Origami Workshop with Hana: Flores/Flowers Saturday, 10 March at 14 - 15h30
Come and learn to make Origami (Japanese paper folding art)
It is a relaxing and meditative process in which we fold paper and see
the magic of a simple leaf of paper transforming itself into a flower,
an animal, a star, a box.....
In this lesson we will make flowers.
It is a relaxing and meditative process in which we fold paper and see
the magic of a simple leaf of paper transforming itself into a flower,
an animal, a star, a box.....
In this lesson we will make flowers.
Organized by: RESTOCK Gallery
Place: Armazem de Marcado
Rua do Hospital Velho, Nº. 28
Lecturer: Hana Chaki
Cost: Euros 10 and materials are provided
Age restriction: 10 years and older
For reservations contact: restockfunchal@gmail.com
segunda-feira, 12 de fevereiro de 2018
Origami Workshop with Hana: As caixas | Boxes sabado, 17 fevereiro
Come
and learn to make Origami (Japanese paper folding art)
It
is a relaxing and meditative process in which we fold paper and see
the magic of a simple leaf of paper transforming itself into a flower,
an animal, a star, a box.....
In this lesson we will make boxes.
the magic of a simple leaf of paper transforming itself into a flower,
an animal, a star, a box.....
In this lesson we will make boxes.
Organizado por: RESTOCK galeria
Lugar: Armazém do Mercado Rua do Hospital
Velho n.o 28
Dirigida por: Hana Chaki
Preço: 10 euros material incluido/
Cost: Euros 10 and materials are provided
Idade: A partir de 10 anos para Adultos/
Age restriction:10 years and older
Inscrição/
For reservations contact:
restockfunchal@gmail.com
segunda-feira, 5 de fevereiro de 2018
Origami Workshop with Hana: As roupas | clothes Saturday, 10 February
Come and
learn to make Origami (Japanese paper folding art)
It
is a relaxing and meditative process in which we fold paper and see
the magic of a simple leaf of paper transforming itself into a flower,
an animal, a star, a box.....
In this lesson we will make clothes.
the magic of a simple leaf of paper transforming itself into a flower,
an animal, a star, a box.....
In this lesson we will make clothes.
Organizado por: RESTOCK galeria
Lugar: Armazém do Mercado Rua do Hospital
Velho n.o 28
Dirigida por: Hana Chaki
Preço: 10 euros material incluido/
Cost: Euros 10 and materials are provided
Idade: A partir de 10 anos para Adultos/
Age restriction:10 years and older
Inscrição/
For reservations contact:
restockfunchal@gmail.com
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